Stéphane Thébaut has been associated for over twenty years with television magazines dedicated to home and decoration. His face is familiar, but his private life is much less so. His partner, Sophie, largely stays away from the sets and celebrity pages, which regularly fuels public curiosity.
Sophie and Stéphane Thébaut: a couple rooted far from Paris
Unlike most hosts of national channels, Stéphane Thébaut does not live in the Paris region. He left the capital to settle in Haute-Savoie, by Lake Annecy. This geographical choice is not trivial: it is directly linked to Sophie’s career.
Sophie is the director of Acuitis for Switzerland, a company specializing in optics and hearing aids. The proximity to the Swiss border justified the move to the Alps. The host adapted to this professional constraint rather than the other way around, a detail that speaks volumes about the couple’s balance.
Those looking for a photo of Stéphane Thébaut’s wife will find few official pictures: Sophie almost never accompanies the host at media events. This discretion is a choice made by both partners.
Stéphane Thébaut’s family life: four children, two households
Stéphane Thébaut is the father of four children. Two of them are from his relationship with Sophie. The other two are from a previous union. The host has mentioned several times his love for family cooking, stating that he enjoys preparing a different dish each day for his wife and children.
This daily life shared between Haute-Savoie and filming across France imposes a particular rhythm. Filming weeks regularly take Stéphane away from home, as the very principle of his show relies on traveling throughout France to visit remarkable houses.
Sophie, for her part, manages a demanding professional activity in the visual and auditory health sector. The couple thus operates on a model where each pursues an independent career, which partly explains Sophie’s absence from her partner’s media universe.
Stéphane Thébaut in 2026: still hosting on T18 with M comme Maison
The portraits published by the gossip press mostly date back to the 2020-2021 period and give a frozen image of the host’s career. The reality is more dynamic. In 2026, Stéphane Thébaut continues to present M comme Maison, the weekly decoration magazine broadcast on the T18 channel.
The program maintains the same philosophy as the former show La Maison France 5: exploring French regions, highlighting architectural achievements and interior decoration choices. The show now incorporates a more pronounced eco-responsible dimension, with topics dedicated to sustainable practices in housing.
- The show M comme Maison is broadcast weekly on T18, with Stéphane Thébaut at the helm since its launch.
- Recent episodes have been filmed in Marseille and other French cities, confirming the program’s traveling format.
- The host has over twenty years of presence in the world of home and lifestyle magazines on television.
Stéphane Thébaut and the STORY brand: a shift towards the furniture business
Beyond television, Stéphane Thébaut has expanded his professional scope into the furniture sector. He is associated with the STORY brand, a franchise specializing in furniture that is accelerating its BtoB development. This positioning places him at the intersection of television image and commerce, a terrain that articles focused on his romantic life do not mention.
This role as an editorial figure for a furniture brand logically extends the expertise built over two decades of shows dedicated to housing. For both Sophie and Stéphane, home is not just a television subject: it is a shared professional environment, each in their own field.
Why so few photos of the Thébaut couple
The rarity of images of Sophie alongside Stéphane Thébaut can be explained by a deliberate choice. The host gives interviews about his profession, willingly talks about his living environment in Haute-Savoie or his culinary tastes, but he draws a clear line between his on-screen presence and his intimate sphere.
Sophie, for her part, operates in a sector (optics and hearing aids) where personal media visibility brings no professional advantage. Their discretion is not accidental but constructed, making it all the more difficult for the gossip media to circumvent.
This restraint contrasts with the usual overexposure of couples in French television. Paradoxically, it fuels curiosity, as the public has very few visual elements to satisfy their search. The few confidences from the host, shared through occasional interviews, remain the main source of information about the couple.
